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Art & Inspiration Fastbacks and other swoopy roofs

Discussion in 'The Hokey Ass Message Board' started by 50Fraud, Jul 17, 2012.

  1. Mr.Dickies
    Joined: Jan 23, 2007
    Posts: 664

    Mr.Dickies
    Member

    Don't forget the Kaiser Henry J Corsair!
    user26434_pic21868_1223703322.jpg

    user26434_pic21869_1223703322.jpg

    user26434_pic21870_1223703322.jpg

    user26434_pic21871_1223703322.jpg

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  2. 50Fraud
    Joined: May 6, 2001
    Posts: 10,099

    50Fraud
    Member Emeritus

    Thanks very much. Are you referring to the shoebox, the '56, or the '40 project?
     
  3. sylvian
    Joined: Oct 11, 2009
    Posts: 1,042

    sylvian
    Member Emeritus
    from Burbank


    Oh yeah sorry, the '56...
     
  4. 50Fraud
    Joined: May 6, 2001
    Posts: 10,099

    50Fraud
    Member Emeritus

    I'm going to take a little time out here and elaborate on these two cars. They have both been favorites of mine for many years, but I had never considered them together until I wrote post #5 of this thread and posted the two pictures together. My focus has been further sharpened by Ryan's blog about the Litton Ford, and the discussion that followed it.

    The object of my ruminations is the similarity in the window shapes, and the stainless surrounds, on these two cars. Despite their being very different body styles, done by two different customizers perhaps a decade apart, the beautiful side windows are scarily similar on the two cars. The shapes are very, very similar (no vent windows on the Chevy, though), and the stainless detailing is almost exactly alike.

    I didn't know this before Ryan's article, but the Litton chop was apparently done by Sam Barris in the very early '50s. The Olsen Chevy was done by Butch Hurlhey, and I don't know when, but certainly much later.

    Is it possible that Hurlhey was a fan of the Litton car, and consciously copied the side window design, even though the subject car was entirely different in style? Or is it just a remarkable coincidence?

    I'm not usually passionate about construction history, but this one really intrigues me. Maybe it's because I think the two cars, and especially the side windows, are among the best radical customs of all time. Does anybody know more about the Hurley/Olsen collaboration, who could shed more light on the subject? Rikster, perhaps, or Weez, or maybe Rod Powell, who was Hurlhey's boss for a time and occasionally reads stuff on the HAMB?
     
    Last edited: Oct 16, 2013

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