HotRodBetty
09-16-2009, 07:35 PM
So, you want to learn how to airbrush? Have I got a FANTASTIC deal here. I have 14 store bought DVDs from beginners to “holy crap that’s amazing” videos. If you buy these videos new you are looking at $168.64 PLUS shipping. ************SOLD************
. These are NOT copies of dvds, these are the original store/website bought ones. This is an easy ½ a day of videos, with more information than you could ever learn online. It is one thing to read on a website “this is how you get this effect”, but it is a whole different ballgame to be shown on video where you can watch again and again till you get the concept. If you have any questions, feel free to ask.
Like I said, these are the original copies, so once they are gone, they are gone. I will NOT copy/sell other peoples copyrighted materials, so don't even ask.
#1: CREATEX COLORS HOW TO BEGIN AIRBRUSHING
This no-nonsense instructional DVD will help you develop the confidence needed to achive great results. This DVD will help you pick out the right equipment, make your own stencils, & create freehand designs. With the help of Artist Mark "the Shark" Rush, you will learn everything you need to know about Airbrush techniques.
List price: $12.71
Running time: 18 minutes 18 seconds.
#2: BEGINNING AIRBRUSH with Terry Hill
Learn freehand control, mechanics, and assembly of the airbrush, clouds, chrome, dagger/flare/rat-tail strokes, troubleshooting, maintenance, pricing, practice exercises, and much more.
List Price: $34.99
Running time: 1 hour 23 minutes.
#3: AIRBRUSH FROM SCRATCH by Raphael Schnepf
An hour of easy to follow, complete step by step instruction covering beginning to intermediate skills. Developed over 10 years of teaching classes & workshops around the country. 4 projects with exercises, tricks & cleaning tips to get you up & running with a dual action airbrush. Start right with proven methods & techniques that will avoid common problems & pitfalls. This is the result of months of filming, editing & fine tuning by Seamless Studios.
List Price: $30.95
Running time: 55 minutes.
#4-14 is a series of airbrushing videos by David Morton. They can be found on airbrushclasses.com They are part of the videos from his Airbrush Master Series, and these videos are cool as hell. They are for more advanced brushers, but there is a ton of info for anyone doing this. On his site, you can buy the 11 DVDs for $89.99 (plus shipping), so I won’t bother listing individual list prices. Here are the descriptions from his website.
#4: Intro to illustrating
A myriad of textural tricks will be introduced to manipulate the eye and the mind. Knowing what to bring into a piece for a certain effect is invaluable in the end product of any particular dynamic of any composition. The language of the freehand templates are of a particular focus to establish a proper foundation for a work, and raise the standard to a more professional grade. We learn how colors compliment each other in various ways to further transcend an image into a more sophisticated range. 1 hour 13 minutes.
#5: Fleshtones for fine art and all imagery
These concepts are the foundation for the novice airbrush artist or the pro wanting a "user friendly" way to approach fleshtones when approaching all imagery. We explore the language of the freehand templates to create contour, form, and manipulate soft and hard edges via certain techniques. The Chiaroscuro concept ( from the famous artist Carravagio), is also introduced in the fleshtone concept which helps manipulate realism via certain types of photographs needed to pull off the effect. 1 hour 10 minutes
#6: Diamond plate for auto graphics and commercial art
We explore the process of expediting the process of the highly sought after diamond plate concept without having to buy an expensive computer plotter. We focus on manipulating a distressed surface with certain colors, and placing shadows and highlights accurately to achieve a very believable graphic which can accent the inside of letters or fonts, or as a stand alone image or background. 32 minutes
#7: Metal peelbacks
The processes of metal peelbacks are dependent on the form and technique, and ultimately the utilization of how color is layered. Highlighting and very intricately placed templates will manipulate contour with precision thus expediting the arduous process of cutting masks. Craftsmanship and surface sterility are emphasized thoroughly. 1 hour 24 minutes
#8: Dynamics and realism in skulls and illustrating
Subtractive highlighting is a big part of the Electro-Skull concept as it brings to light the fusion of a high contrast image and the addition of intricate realistic effects. Working in many levels of black and gray are a key component to the hyper-realistic model in this particular composition. The usage of freehand templates are critical in this sequential process and the introduction of transparent paints are utilized to achieve realism. 1 hour 19 minutes
#9: Snakeskin for graphics and automotive applications
We explore the concepts of three different types of snakeskin to apply towards all surfaces. We illustrate the proper etiquette on maintaining a sterile surface while exploring the way paint reacts to these diverse surfaces. Color is explored via a more graphical intent or a more realistic, muted look. Loose masking and the usage of textures and templates are the forefront of many of these tricks. 1hour 14 minutes
#10: Clouds for faux concepts and art
Clouds need appropriate colors and believable textures to work. Subdued colors are a huge part of making clouds look realistic and many different textural applications can expedite the process . Equipment usage + large and small scale applications are discussed as well as the importance of ventilation and protection from the atomization of the mediums used. Clouds can be used for faux concepts, theatrical backgrounds, signage concepts, and anything in art or animation. 21 minutes
#11: Realistic Woodgrain for faux, animation and graphics
We explore in depth the concepts of realism within the woodgraining technique which
can be applied towards all surfaces, layering the colors harmoniously, and the introduction of loose and contact masking to create 3-dimensional forms. 31 minutes
#12: Realistic Cobblestone for Faux And Graphics
We explore the very hyper-realistic concept of Faux Cobblestone which can be applied
towards home decor, animation backgrounds, automotive graphics, and signage concepts.
We learn how to buffer colors down to manipulate chroma, hue, and value + explore
unconventional tricks to accent the airbrush look via other mediums. 28 minutes
#13: Realistic waterdrops for art and graphics
Introduced in this technique is the tricky sequential process and nature of how templates, controlling color, and use of texture and light, can manipulate a very realistic, accenting element, to any image. Discernment and placement of shadow and contour is also the forefront of achieving mastery of this process. 37 minutes
#14: Marble textures for furniture, graphics and signs
Marble is a texture in which can be applied by professional Faux painters ( walls and furniture) and artisans alike. It can be applied as an automotive graphic inside of letters or tribal art, a background for any particular backdrop or commercial comission and an all around application for any 3-d surface. Elements of exploration include the "less is more" principal, controlling a good color balance, and sequential layering of textural effects to create realism. 1 hour 4 minutes
. These are NOT copies of dvds, these are the original store/website bought ones. This is an easy ½ a day of videos, with more information than you could ever learn online. It is one thing to read on a website “this is how you get this effect”, but it is a whole different ballgame to be shown on video where you can watch again and again till you get the concept. If you have any questions, feel free to ask.
Like I said, these are the original copies, so once they are gone, they are gone. I will NOT copy/sell other peoples copyrighted materials, so don't even ask.
#1: CREATEX COLORS HOW TO BEGIN AIRBRUSHING
This no-nonsense instructional DVD will help you develop the confidence needed to achive great results. This DVD will help you pick out the right equipment, make your own stencils, & create freehand designs. With the help of Artist Mark "the Shark" Rush, you will learn everything you need to know about Airbrush techniques.
List price: $12.71
Running time: 18 minutes 18 seconds.
#2: BEGINNING AIRBRUSH with Terry Hill
Learn freehand control, mechanics, and assembly of the airbrush, clouds, chrome, dagger/flare/rat-tail strokes, troubleshooting, maintenance, pricing, practice exercises, and much more.
List Price: $34.99
Running time: 1 hour 23 minutes.
#3: AIRBRUSH FROM SCRATCH by Raphael Schnepf
An hour of easy to follow, complete step by step instruction covering beginning to intermediate skills. Developed over 10 years of teaching classes & workshops around the country. 4 projects with exercises, tricks & cleaning tips to get you up & running with a dual action airbrush. Start right with proven methods & techniques that will avoid common problems & pitfalls. This is the result of months of filming, editing & fine tuning by Seamless Studios.
List Price: $30.95
Running time: 55 minutes.
#4-14 is a series of airbrushing videos by David Morton. They can be found on airbrushclasses.com They are part of the videos from his Airbrush Master Series, and these videos are cool as hell. They are for more advanced brushers, but there is a ton of info for anyone doing this. On his site, you can buy the 11 DVDs for $89.99 (plus shipping), so I won’t bother listing individual list prices. Here are the descriptions from his website.
#4: Intro to illustrating
A myriad of textural tricks will be introduced to manipulate the eye and the mind. Knowing what to bring into a piece for a certain effect is invaluable in the end product of any particular dynamic of any composition. The language of the freehand templates are of a particular focus to establish a proper foundation for a work, and raise the standard to a more professional grade. We learn how colors compliment each other in various ways to further transcend an image into a more sophisticated range. 1 hour 13 minutes.
#5: Fleshtones for fine art and all imagery
These concepts are the foundation for the novice airbrush artist or the pro wanting a "user friendly" way to approach fleshtones when approaching all imagery. We explore the language of the freehand templates to create contour, form, and manipulate soft and hard edges via certain techniques. The Chiaroscuro concept ( from the famous artist Carravagio), is also introduced in the fleshtone concept which helps manipulate realism via certain types of photographs needed to pull off the effect. 1 hour 10 minutes
#6: Diamond plate for auto graphics and commercial art
We explore the process of expediting the process of the highly sought after diamond plate concept without having to buy an expensive computer plotter. We focus on manipulating a distressed surface with certain colors, and placing shadows and highlights accurately to achieve a very believable graphic which can accent the inside of letters or fonts, or as a stand alone image or background. 32 minutes
#7: Metal peelbacks
The processes of metal peelbacks are dependent on the form and technique, and ultimately the utilization of how color is layered. Highlighting and very intricately placed templates will manipulate contour with precision thus expediting the arduous process of cutting masks. Craftsmanship and surface sterility are emphasized thoroughly. 1 hour 24 minutes
#8: Dynamics and realism in skulls and illustrating
Subtractive highlighting is a big part of the Electro-Skull concept as it brings to light the fusion of a high contrast image and the addition of intricate realistic effects. Working in many levels of black and gray are a key component to the hyper-realistic model in this particular composition. The usage of freehand templates are critical in this sequential process and the introduction of transparent paints are utilized to achieve realism. 1 hour 19 minutes
#9: Snakeskin for graphics and automotive applications
We explore the concepts of three different types of snakeskin to apply towards all surfaces. We illustrate the proper etiquette on maintaining a sterile surface while exploring the way paint reacts to these diverse surfaces. Color is explored via a more graphical intent or a more realistic, muted look. Loose masking and the usage of textures and templates are the forefront of many of these tricks. 1hour 14 minutes
#10: Clouds for faux concepts and art
Clouds need appropriate colors and believable textures to work. Subdued colors are a huge part of making clouds look realistic and many different textural applications can expedite the process . Equipment usage + large and small scale applications are discussed as well as the importance of ventilation and protection from the atomization of the mediums used. Clouds can be used for faux concepts, theatrical backgrounds, signage concepts, and anything in art or animation. 21 minutes
#11: Realistic Woodgrain for faux, animation and graphics
We explore in depth the concepts of realism within the woodgraining technique which
can be applied towards all surfaces, layering the colors harmoniously, and the introduction of loose and contact masking to create 3-dimensional forms. 31 minutes
#12: Realistic Cobblestone for Faux And Graphics
We explore the very hyper-realistic concept of Faux Cobblestone which can be applied
towards home decor, animation backgrounds, automotive graphics, and signage concepts.
We learn how to buffer colors down to manipulate chroma, hue, and value + explore
unconventional tricks to accent the airbrush look via other mediums. 28 minutes
#13: Realistic waterdrops for art and graphics
Introduced in this technique is the tricky sequential process and nature of how templates, controlling color, and use of texture and light, can manipulate a very realistic, accenting element, to any image. Discernment and placement of shadow and contour is also the forefront of achieving mastery of this process. 37 minutes
#14: Marble textures for furniture, graphics and signs
Marble is a texture in which can be applied by professional Faux painters ( walls and furniture) and artisans alike. It can be applied as an automotive graphic inside of letters or tribal art, a background for any particular backdrop or commercial comission and an all around application for any 3-d surface. Elements of exploration include the "less is more" principal, controlling a good color balance, and sequential layering of textural effects to create realism. 1 hour 4 minutes