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ruttencutter
08-31-2004, 04:46 PM
My wife, who has so graciously allowed me to fill the garage with car parts galore, has taken a keen liking to the art of pinstriping. Can anybody give me some suggestions of what I could get her to get her started? I want to surprise her with everything she'll need to start learning.

Thanks guys.

-Scott

Jester
08-31-2004, 04:59 PM
lets see, Mack 00 brush- I would start with this one and work up to others hell I still use nothing but, 1 shot- you can buy more expensive paint like house of color but why 1 shot is used by professionals and amatures(like me), stabillo pencil- for making grids (I've never done it yet but symitry isn't easy without doing it), Mineral Spirits- for clean up, Brush oil- keep you brush well oiled you don't want any missed paint drying in your brush, Pictures- lots of designs to look at to give her a feel for which way she wants to go, 12 pack of Pabst Blue Ribbon- works for me, 8x10 plexy or lucite panels-easy to find cheap media for practice, also get her a set of whine glasses cheap ones from wally world (if she can learn to stripe on curved glass she can stripe on anything)......there is a thousand other little cool things you can get but start slow practice lots and enjoy everything you do.....post lots of pics on the friday art show........

Your Friendly Nieghbor Hood Jester

MikeO
08-31-2004, 05:07 PM
Yeah Jester pretty much covered everything but instead of PBR I buy whatever is cheap (Blatz case 9.99) or a gallon of cheap red wine. HOK stripin paint tears up brushes and costs alot more buy the one shot in small amounts it lasts a long time

G V Gordon
08-31-2004, 05:09 PM
To add to what has been said. Get a piece of flat glas to practice on. I used a door off an old TV stand. You can practice and then wipe it down with mineral spirits and start over. Trust me, you won't wnat to keep all your early attempts. http://www.jalopyjournal.com/ubbthreads/images/graemlins/wink.gif

ruttencutter
08-31-2004, 05:13 PM
Any suggestion on where I should look to buy this stuff? Online, local sign shop?

http://www.jalopyjournal.com/ubbthreads/images/graemlins/smile.gif

Thanks.

-S

MikeO
08-31-2004, 05:20 PM
www.dickblick.com (http://www.dickblick.com) is easy they have everything but not always the cheapest other than that I buy everything from my autobody supplier

KCsledz
08-31-2004, 05:25 PM
you also can try eastwood for the paint. I like a synthetic brush oil like excaliber. They have a website to buy it from.

Curt Six
08-31-2004, 05:49 PM
Try your local sign supply shops for paint, although they might have a minimum order. 1/2 pint or pint containers will be plenty. Get this book for her...it's a great reference...

http://www.amazon.com/exec/obidos/tg/detail/-/096373363X/qid=1093987397/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/103-8389595-7828613?v=glance&s=books&n=507846

Also, there are a lot of great resources on here...watch the Friday art show and ask them questions when you need to!
Curt

kutsem59s
08-31-2004, 06:09 PM
Great post. Been thinking about getting started myself. We need a few more women making the rod scene.

Flat Ernie
08-31-2004, 06:27 PM
Wasn't there a tech post a few weeks back (I'm reluctant to do a search & contribute to the slow-ness - seems slow right now)...maybe do a search off-peak...

http://www.jalopyjournal.com/ubbthreads/images/graemlins/cool.gif

murph
08-31-2004, 06:55 PM
If memory serves, it was UnklIan (spelling might be off). AWESOME tech post with pics. Check it out for sure.

-murph

Bugman
08-31-2004, 07:06 PM
Scott-
Our local Body Shop Supply sells 1-Shot, for around $5 a pint I think. Probably the one in Madison does too.

-Jeff

rjb
08-31-2004, 07:22 PM
5 BUCKS A PINT! http://www.jalopyjournal.com/ubbthreads/images/graemlins/shocked.gif that an awesome deal! the local shop here carries half pints starting at 7 bucks and going all the way up to $15! Stock up before they figure out what the stuff's worth. (even eastwood is about double that price)
RJB

BARNETT
08-31-2004, 09:05 PM
you'll also want a flat, hard wall for beating your head against...sometimes that feels better than actually messing with striping. http://www.jalopyjournal.com/ubbthreads/images/graemlins/crazy.gif I carry a brick in my sign kit...in case there aren't any walls available when I'm striping on location. http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif Safarinut and Unkl Ian are the HAMB's striping gurus. this is Ray's (Safarinut) board.... Knowledge (http://autos.groups.yahoo.com/group/pinstriperspage/) ...lots of energy and info to be swiped. Good luck to her and keep us posted with pics!

shoebox72
08-31-2004, 09:17 PM
What everyone else above said. Try to find this book, "Pinstriping & Vehicle Graphics" by John Hannukaine.

It's a good book for beginners.

Billy

bigbilly
08-31-2004, 09:23 PM
their is a website called pinstriper.com. Toney will awnser any questions via email.

Jester
09-01-2004, 07:38 AM
[ QUOTE ]
Any suggestion on where I should look to buy this stuff? Online, local sign shop?

http://www.jalopyjournal.com/ubbthreads/images/graemlins/smile.gif

Thanks.

-S

[/ QUOTE ]

you can buy Mack 00 at O'reilly's for about 7 bux, they call them touch up brushes so don't ask for a pinstriping brush other wise you'll get a stupid look.....I get 1 shot from Bearair, alot cheaper than Eastwood and you can also get brushes from them, Xcaliber is a company you can get various brushes from I see that they are carring Virus and Mack brushes too...........

caffeine
09-01-2004, 10:08 AM
someone post unklians tech on how to hold a brush for fun and profit. im too lazy.

i also recmmend buying the SMALLEST cans of 1shot (1/4 pint) then takeing some self tapping sheet metal screws and screwing them into the top of the can and use that to dispense the paint, less mess, less air, and your paint will last longer rather than skin over.

i NEVER even open the tops of my cans, just do the sheet metal screw in the top. and "click a few blobs" out on my pallet and work from there, rather than filling up a cup, etc, etc

Big A
09-01-2004, 10:21 AM
Here's some reading material (with pikchurs for morons like me! http://www.jalopyjournal.com/ubbthreads/images/graemlins/tongue.gif )

http://www.jalopyjournal.com/ubbthreads/showflat.php?Cat=&Number=465667&page=&view=&sb=5&o =&fpart=1&vc=1

Jester
09-01-2004, 10:35 AM
[ QUOTE ]
someone post unklians tech on how to hold a brush for fun and profit. im too lazy.

i also recmmend buying the SMALLEST cans of 1shot (1/4 pint) then takeing some self tapping sheet metal screws and screwing them into the top of the can and use that to dispense the paint, less mess, less air, and your paint will last longer rather than skin over.

i NEVER even open the tops of my cans, just do the sheet metal screw in the top. and "click a few blobs" out on my pallet and work from there, rather than filling up a cup, etc, etc

[/ QUOTE ]

Damned good idea Rob, I can't get my cans to seal back up very well and I always have two or three striping jobs of paint dried in a film over the top.....by the way did you get you package yet?

HonkyTonker
09-01-2004, 11:03 AM
check this link also. seems this topic comes up very often

neal0o

http://www.jalopyjournal.com/ubbthreads/showflat.php?Cat=&Board=UBB1&Number=431907&PHPSESS ID=&fpart=1#Post431907

Chris Wiehle
09-03-2004, 07:29 PM
I want to start meesing around also. I found a mack 000 on ebay for for 8.99 and 1 shot 1/2 pint from eastwood for about 7.99. Might not be the cheapest but this way I could use my paypal money. While I'm on here- I will probably get my brush any day now and want to see what kind of horror I can do to a piece of glass. However, I don't know what to clean the brush with (lacquer thinner, mineral spirits???). Preferrably something I can get local, hopefully so I don't have to wait another week for something to be shipped.
Thanks

Chris Wiehle
09-03-2004, 07:31 PM
Sorry I just went back and read jester's post. He said mineral spirits for cleanup, but what's brush oil?

Carps
09-03-2004, 08:24 PM
Buggered if I know what brush oil is, haven't been able to find any here.

So, I've been using baby oil, seems to work great and my brushes smell real nice too. http://www.jalopyjournal.com/ubbthreads/images/graemlins/wink.gif

As a newcomer I just paint lines on anything. A word of warning here, is that this artform is totally addictive. And you'll probably find yourself in trouble por painting lines on stuff that your partner or others never wanted lines painted on. They'll learn to live with that.

If there's a seccret, it's practice and concentrate. I find when I rush is when i do the really shitty stuff.

I have a book title 'Pinstriping Masters' which I found helpful, but not as helpful as the old hands here.

I also learned that not all brushes are created equal. The Mack stripers with the blue thread I find easier to pull straight lines and for good control. The bleu ones are a little more difficult to use but still easy and the really pretty brushes with the brass ferrule and fine point are really tough but with practice they do the best long straight lines.

I think one of the other secrets is same as for most stuff, don't be a cheapskate and scrimp on quality equipment. Buy the best brushes and the best paint, which will likely also be the most expensive. One Shot down here costs a bomb, but I can't find anything that works better for me.

Another rule, I've adopted is don;t try to be a perfectionist cos even the best in the busisness don't haave perfect symetry or pull the perfecly consistent line. Let's face it, this is art done by hand so it should reflect that.

Next rule, try different styles and stuff, don't just copy what others have done, create your own style. I usualy start by looking at some one else's stuff that I reall like, then try and duplicate my favourite bit and as I work just let my head tell me where the next line should be and what it should look like.

Yeah, I get some really weird stuff that way, but strangeley a lot of folks like it, including me.

Most important rule, don't let it consume you, cos it will try, just enjoy and have fun with it. http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif

Chris Wiehle
09-03-2004, 09:40 PM
Good info carps. Thanks.

whodaky
09-03-2004, 10:29 PM
OK, if I learnt to stripe then any one can!. Secondly I believe when you are learing and practising to begin with you should strive to get things as close to symmetrical perfection as you can. This is part of the disipline I used when I was teaching myself. Be super critical of your work when you are learning. When you have grasped the basics and become happy with your abilities then you can get away without total symetrical perfection.
When you are teaching your self, don't be afraid to rub things out and start again, this is true of even the experienced stripers. If things aren't working out, walk away from what you are practising and come back later. I found when I was just starting out I had to be in the mood to stripe. Nowadays after amny years I can now produce stuff at will.
Last but least is view the Friday art posts for inspiration an tips. Oh nearly forgot, be passionate about your striping. Don't be half hearted about it, it may not be fine art as such; but it is important!!!!! Geoff aka Whodaky

Carps
09-05-2004, 07:45 AM
[ QUOTE ]
OK, if I learnt to stripe then any one can!.

[/ QUOTE ]
So how come your stuff is the hardest in the world to duplicate?

[ QUOTE ]
Secondly I believe when you are learing and practising to begin with you should strive to get things as close to symmetrical perfection as you can. This is part of the disipline I used when I was teaching myself. Be super critical of your work when you are learning.

[/ QUOTE ]
Sounds like what's happening to me. Point I was getting at above, is it's too easy to beat up on yourself for not being perfect. That can lead to frustration which can lead to giving up.


[ QUOTE ]
When you are teaching your self, don't be afraid to rub things out and start again, this is true of even the experienced stripers. If things aren't working out, walk away from what you are practising and come back later.

[/ QUOTE ]
That's the second best advice you ever gave me. Since I started rubbing out, I've actually done some stuff even I'm really happy with. Another thing I learned here, is when doing two colours, if you can, leave the first colour to dry, then, if you have to rub out any of the second colour where it overlaps the first colour, you won't be rubbing out all your previous hard work.

[ QUOTE ]
I found when I was just starting out I had to be in the mood to stripe.

[/ QUOTE ]
Hey Geoff, that's interesting, coz I find most nights after a day at the salt mines I'm more in the mood to do some striping than to watch TV or work on the car. Most of it gets rubbed out or goes in the bin, coz I tend to rush it rather than focus on what I'm trying to do. My biggest 'problem' is it usually takes a few lines for me to get in the groove, before the lines start moving and twisting the way I want them to. Dunno why, but even when I practice on the pallette, I still have to rub the first couple of lines off the 'real' work before I settle in and get comfortable. Kinda starts out frustrating and ends up making me feel good after the lines start to flow the right way. Does anybody else out ther suffer this problem?

[ QUOTE ]
be passionate about your striping. Don't be half hearted about it, it may not be fine art as such; but it is important!!!!! Geoff aka Whodaky

[/ QUOTE ]
I think that's the best bit of advice I ever got from anybody.

Best compliment I've had so far came from my kid, a fine arts and fashion design student at Melbourne Uni. Don't think she realised why I always seem to have paint on my fingers, guess she figured I was painting car parts. Anyhow on seeing one of the panels I've done she asked her mother who did it. Was most impressed it was me and even said that it would look good printed on a skirt or similar.
Kinda kool bein able to impress your kid like that, thanx man, it's all your fault I started this and that crappy old tin panel as you called it, hangs over my bench to inspire and taunt me.

Steel Phoenix
09-05-2004, 03:28 PM
This has been an awesome thread, as well as the others I've saved as favorites. Hats off to ruttencutter for posting the question I wanted to ask, I've been toying with the idea of giving pinstriping a try too... this has been a good incentive to do so.

I can see symmetry is going to be one of my bigger challenges. I do a lot of really weird design sketches that tend to either be reflective or end up looking like mandalas... but it is difficult to get them to be as symmetrical as I would want them.

dartgts
09-06-2004, 12:19 AM
This is my first post here...so if I do it wrong let me know.. Wow what a super thread. It's been many years since I ran a line. This has got me taking up the brush again. Now all I need is a great deal of pratice ....and rembering where my fingers are. The how to photos are super what a great set off illustrations.
Hopefully I will be able to pick it back up...and do some work on them wife's PT. Got to start somewhere right?

Chris Wiehle
09-06-2004, 01:59 AM
I posted this question on a diffeernt message but got no answer. CAn everyone let me know their opinions on the brush oil thing. Some say dish soap, tranny fluid, motor oil, veggie oil. Veggie or motor oil would be the best since I have those readily available. Do these oils mess up the paint characteristics if you don't clean them completely out before you start striping?
ThanksChris

whodaky
09-06-2004, 03:59 AM
Chris I just use ordinary motor oil, new stuff of course. I did read some palce a while back that the additives in modern oils can be detrimental to the brush hair. But I have never had a problem. I have also never had a problem with the oil affecting the paint. I don't just dip the cleaned brush in the oil and leave it at that. I dip say half the brush in the oil and pull the excess out through my fingers. Geoff aka Whodaky

Carps
09-06-2004, 04:26 AM
I'm often surprised by just how much paint the oil actualy brings out of the cleaned brush.

However, I have another question and it's to do with 'drag'. My old fingers seem to have had the prints almost worn off the ends and as such you'd think they should glide smoothly over any surface. Not so.

My biggest problem is drag when pulling long lines which tends to make the line go a bit shaky. So my question is, how do I get my hands to glide over the surface for a smoother line. I was thinkin maybe teflon gloves.

Read in the book that some guys use talcum poweder, so I tried that and got friggin powder all over the shop. http://www.jalopyjournal.com/ubbthreads/images/graemlins/crazy.gif

Chris Wiehle
09-06-2004, 11:47 AM
Thanks, that helps.
Chris

Peter Pan of Chicago
09-06-2004, 12:15 PM
Guys pulling long lines is a matter of control, that's why I don't. http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif

But, the tip of using talc is worth trying. Just use some on your pulling hand and only on your 'lil finger. The one ya use to steady your hand as ya go.

Another tip is for shaking hands and steading yourself as you begin to lay lines. Take a full breath, hold for a second and then let half out. You'll be amazed on how it steadies you and gives ya strength. Hope it helps.

Joel http://www.jalopyjournal.com/ubbthreads/images/graemlins/wink.gif

safariknut
09-06-2004, 02:36 PM
I've been following this thread for awhile now and I've seen a lot of good info get posted.There have been a couple of questions in regards to brush oil,paint consistency,shakiness,etc. that I might be able to help out on.Remember,these are just my opinions based on my experiences;some of you may have different solutions.
I guess I'll start with brush oil.My personal preference is Wall Dog Brush Oil.I have used many things in the past:lard oil(turns rancid in hot weather and gums up the brush),various types of motor oil,trans fluid,air conditioning compressor oil,Marvel Mystery Oil to name a few.All seemed to preserve the brush pretty well but were difficult to completely clean out of the brush prior to striping and would sometimes create,"fish eyes"in the paint.
A lot of people use fish eye eliminator(Smoothee is one brand)but this creates a couple of other problems.Smoothee is essentially pure silicone and will contaminate any paint it comes in contact with as well as the brush you are using.You CANNOT spray over striping that has this stuff in it.Likewise if you use it in sprayed on paint it cannot be recoated.
I've used boiled linseed oil as a preservative but this dries out in the brush and is difficult to remove.
I've even used whale oil which works great but is near impossible to find.I had a small can of it that my grandmother used to lubricate her sewing machine with but that is long gone.
So after trying all this stuff,I started using Sapphire Brush Oil which is basically sunflower oil and some additives.Sadly they are no longer in business but the owner of WallDog products managed to make a very close copy and it works great.It is available through Mack Brush(and probably other sources)and costs about $7.50 a quart.I recommend it highly.It is easy to remove from brushes for use and will not harden with age.
OK;in regard to pulling a long straight line.A number of factors enter into this:The surface must be clean,you need to have something to rest your guide finger on(either a molding,a body crease,a piece of tape,or a magnetic strip),the vehicle should be out of the wind and sun,and you have to have the proper paint consistency.
I prefer to use a magnetic strip if possible(on aluminum and fibreglass cars I use a piece of tape).One hint that makes it easier to get the magnet straight is to lay down a piece of 1/4" tape first and then lay the magnet up against the bottom edge of the tape(it's much easier to see than a body line)and then pull the tape.
Another hint here:if you are doing a double stripe and you are right handed,pull your stripe from right to left and do the top stripe first;that way you can see your spacing when you come back to do the second line.Lefties work the opposite way but still do the top stripe first.
For proper paint consistency doing a long stripe,you will want the paint much thinner than if you are doing designs.I palette my brush by loading paint from the can and working it on a piece of glossy paper(the best are those little catalogs your wife or girlfriend gets about 50 of every day in the mail).I dip the brush in some thinner(mineral spirits usually)and work this into the paint.I flip the brush over as I palette back and forth to get the paint distributed evenly in the brush.Ideally the brush should go through the paint with just a hint of hesitation.When you think you have it right,test it on the palette.The line should not spread out sideways when you put the tip down;if it does the paint is too thin and will need more paint added.Too thick and you need to add thinner.
To pull a long line(I'm left handed so I pull from left to right)I place my left foot down and lean all my weight on it as I lay my small finger on the bottom edge of the magnet and the tip of the brush about 1/2"above the magnet and start pulling the line slowly but evenly as I gradually shift my weight from my left foot to my right.PPOC had the breathing thing down but as you do it it happens automatically.The theory behind this is as you slowly exhale all your muscles are relaxing.
Using this technique you can pull a line about 2 1/2 feet before you have to lift the brush.One more thing:as you are pulling the line,don't put pressure on the guide with your finger as this has a tendency to induce shaking in your hand.The lighter the pressure the better.
To put the brush back onto the line,assume the previous position and drop the brush gradually onto the line about 3-4"from where you stopped and gradually bring the brush down until it is at the proper width.You may have to go back a couple times initially but with practice it will come naturally.
Repeat this procedure until you reach the end.If the paint is thinned properly and the temperature and wind are favorable,you should be able to run a line the entire length of the car with out reloading the brush.It may sound impossible but it is true.
I know this is by no means a complete how-to on striping but there are some good basics here;the rest is up to YOU!
KEEP THEM BRUSHES WET!!!

Peter Pan of Chicago
09-06-2004, 03:52 PM
Ray, that was great!

Well boys, there ya go. It don't get any better than that.

Now go have at it and practice, practice, and practice.

Joel http://www.jalopyjournal.com/ubbthreads/images/graemlins/wink.gif

Bugman
09-06-2004, 04:08 PM
Here's a tip for steadying your hands, taught to me by my college Photography professor. Have a beer before you begin. Note: a beer, not 2 beers, or 3 beers. A beer. Seemed to work ok, cause none of my photos ended up blurry.

-Jeff

safariknut
09-06-2004, 04:42 PM
[ QUOTE ]
Here's a tip for steadying your hands, taught to me by my college Photography professor. Have a beer before you begin. Note: a beer, not 2 beers, or 3 beers. A beer. Seemed to work ok, cause none of my photos ended up blurry.

-Jeff

[/ QUOTE ]

Being as how alcohol is a depressant,it's possible that it might work on someone who is by nature a little apprehensive.I'm glad someone brought this up because I would like to talk a bit about the relationship of alcohol consumption versus painting ability;I doubt there is one.
I have heard stories related about mythical sign painters who had to consume X amount of alcohol before they could even pick up a brush.I put these tales in the same catagory as the infamous 32 roadsters left in a barn while the owner went off to war,etc. etc.;mostly tales and almost without question lofty ones at that.
I have heard people who I don't even know say to others:"Oh yeah I know Ray;he has to have a couple of six packs before he even starts to paint!"Well let me say this:that's pure BULLSHIT!
In my 48 years of painting,I have painted exactly 2 times while drinking and neither of them stayed on the vehicle after I sobered up!Alcohol(or weed)is NOT going to make you a better painter;PRACTICE IS!Write this on the blackboard 100 times! http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif
I would like to see just ONE person who can paint better drunk(or stoned)than sober and I have been searching for that person for a LONG time.
I think you can trace the origin of this myth to a couple of sources:One is that certain people who were pretty fair sign artists in their own right as they worked with paint(mostly lacquers in early times)became chemically dependent on the fumes and required them just to go through a day without pain and headaches,etc.,and I think you would find that their quality of work declined as their dependence on chemicals or alcohol increased.
Another possibility is that some of these people who took up the profession were itinerant laborers who probably drank to keep themselves from feeling the pain of a hard life and were possibly assistants to actual sign artists.People would see them working with a sign artist and figure that they were one also.
The only time I saw an exception to this(and on reflection,it may not have been)was my ex-wife's cousin's husband.Actually I think it was just self-induced dementia.
He was a college graduate who worked as a speech therapist with hearing impaired children and stumbled onto LSD(they lived just outside of Harvard Square in Cambridge Mass where you could buy anything in the early 70's),took it continuously for about 3 years(never quite coming down)and did these incredibly detailed paintings which seemed to have a recurring theme(spirals and demons).He lost his job,devoted his whole time to painting,and could not carry on an intelligent conversation with anyone,even his wife and 4 children.
The last time I saw him was at a birthday party for my wife's grandmother.He had shaved his head and was sitting with his back to a wall on the floor in the living room.I managed to find out through his wife that he was convinced computers were taking over the world(this was about 1975)so he was practicing how to talk like a computer.All afternoon he sat there making noises like a machine running.
The last I heard of him was that he had lost his eyesight and had to be institutionalized.A very sad end for someone who was so talented.
Anyway this has gotten way off track.I just felt I had to make a statement about drinking and painting.Take it for what it's worth.

Carps
09-06-2004, 07:28 PM
Ray, thanx for that.

I can also say that since I gave up the booze, partying is a lot more fun and it hasn't had a detrimental affect on anything else I do.

hatch
09-06-2004, 07:32 PM
BUY THIS BOOK!!!!...Pinstriping and Vehicle Graphics..by John Hannukaine...I have a stack of books and literature about the subject...but this one is the best'

Chris Wiehle
09-06-2004, 11:12 PM
Hey safarinut was that guy missing an ear by any chance? http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif Anyways, thanks for all the info you guys. Just tried tonight for the first time. Very difficult hobby you guys have. When you guys reload your brush do you dip it in the can every time and then fan out the brush on paper or use the edge of the can?
Chris

Unkl Ian
09-06-2004, 11:33 PM
If your sticky fingers won't slide smoothly across the surface,
get a small bottle of cheap Baby Powder,
and put some on the fingers that touch the surface.
Not the fingers holding the brush. http://www.jalopyjournal.com/ubbthreads/images/graemlins/cool.gif

If your right handed,shake some powder into the palm of your left hand,
then transfer it to the finger tips of your right hand.

Unkl Ian
09-06-2004, 11:36 PM
[ QUOTE ]
When you guys reload your brush do you dip it in the can every time ...

[/ QUOTE ]

Put a couple CCs of paint in a plastic medicine cup,and work out out that.


There is lots of good info in the archives,and the TechOmatic.

Steel Phoenix
09-07-2004, 02:17 AM
Wasn't there a tip somewhere in one of these pinstriping threads about using those light weave cotton gloves (like the ones photographers use for handling film), but you would cut the forefinger and thumb out for control... in order to prevent drag?

I like to use the special gloves for billiards (thumb, forefinger and middle finger covered) when I play pool, so I imagine the reverse would work well for pinstriping.

whodaky
09-07-2004, 03:59 AM
Ruttencutter, thanks for starting this post. I always great hearing how others do stuff.
Mr Carps so you get your artistic ability from your daughter? MMMMMMMM hope she doesn't become an art critic, will have to recall most of the works I have given you,if she does.
Actually Mr Carps, I am impressed that someone actually listens to what I have to say! http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif Geoff aka whodaky

Jester
09-07-2004, 07:59 AM
I have done exactly two cars while drunk......I hated the out come of one and the other was well ok, both at car shows, both for free (well the beer was supplied),....although I joke about it you've got to remeber that achohol inpares your judgement (just try and pull a consistant line when you can't tell how close to the car your brush is) The last ride I did I had had about 7 beers and was feeling good but not that far gone so it turned out ok but the lines didn't last as someone a bit more drunk than me rolled over them before they were dry (I couldn't even bare to look). Moral of the story is yes I can paint while drunk no I can't paint well while drunk(or sober). I paint all the time drunk, sober, tired , wired ....whatever......however it works best for you just make sure you keep pulling them lines and make progress...every line you pull will be better that the last..........

Carps
09-07-2004, 10:28 AM
[ QUOTE ]
Actually Mr Carps, I am impressed that someone actually listens to what I have to say! http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif Geoff aka whodaky

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Hmmm, no good ya tryin to communicate with my kid then.

Funny thing is here boyfreind, 6'2" long ginger hair with a plait, wears long black overcoat and top hat, thinks I'm weird. http://www.jalopyjournal.com/ubbthreads/images/graemlins/crazy.gif

Carps
09-07-2004, 10:31 AM
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I (just try and pull a consistant line when you can't tell how close to the car your brush is)

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Geez, I have that trouble sober (damned multifocals) can you imagine the mess I'd make if I got stuck into the grog? http://www.jalopyjournal.com/ubbthreads/images/graemlins/blush.gif

lilblondi
09-09-2004, 03:30 PM
Well, this is Scott's (the one who started this post) wife. I finally decided to join myself. = ) I just wanted to thank everyone for all of the helpful information. I have my shopping list now and I think he and I might go out tonight, if we get the chance to, and get everything needed to get started. Last night we visited Bugman and painted an old hood. That was a LOT of fun! Besides being a cool metalic purple color, I now have something big to practice striping on...when I get that far. Anyway, I am excited to get into it and start painting. Thanks again for everything!

~Lizz

Jester
09-09-2004, 04:06 PM
good to see ya here and I fully expect to see your work on Friday........... http://www.jalopyjournal.com/ubbthreads/images/graemlins/grin.gif

Wet Paint
09-28-2004, 06:13 PM
I have a pinstriping workshop coming up and all of those questions will be answered and more this coming November!!!
The info is on our website at www.jchetzstudio.com (http://www.jchetzstudio.com)
Thanks,
Wetpaint